Estimated build cost: ~$17,693 (based on current listings)
Stevie Ray Vaughan rebuilt electric blues in the 1980s with Double Trouble by driving a hybrid 1962/63 Fender Stratocaster he called Number One — left-handed tremolo, jumbo frets, and GHS .013–.058 strings, tuned down a half step — into a pair of 1964 Fender Vibroverb 1x15 combos. On Texas Flood-era stages a 1980 Marshall 4140 Club and Country 2x12 handled clean headroom while the Fenders were cranked; an Ibanez TS9 Tube Screamer (Level maxed, Drive near off) boosted solos, a Vox V846 wah covered Hendrix colors, and a Fender Vibratone added the swirl on “Cold Shot.”
From 1984 a 150-watt Dumble Steel String Singer (King Tone Consoul) replaced the Marshall combo as the big clean amp, and blackface Fender Super Reverbs with Electro-Voice 10s took over much of the live grind. Late in the decade he added a Marshall Major, switched to an Ibanez TS10, and used a Dallas-Arbiter Fuzz Face for Hendrix-style fuzz. Vaughan died in 1990; Fender’s Stevie Ray Vaughan Stratocaster — co-designed with him, Texas Special pickups, reverse tremolo, engraved SRV pickguard — has been the production signature since 1992.
The breakthrough pieces they are most associated with.
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