Estimated build cost: ~$36,462 (based on current listings)
Carlos Santana made Latin-rock guitar a global sound at Woodstock in 1969 on a cherry Gibson SG Special with P-90s, then recorded Abraxas (1970) on a 1968 Gibson Les Paul Custom into dimed Fender Twin Reverbs. Chasing longer sustain, he demoed Randall Smith’s hot-rodded Fender Princeton and said the little amp really boogies — the line that named Mesa/Boogie. The Mesa/Boogie Mark I cascading-gain combo, including his snakeskin King Snake, was the singing lead voice from 1972 into the 2010s, usually with a Mu-Tron volume/wah parked for vocal textures.
From 1976 to 1982 he toured a Yamaha SG2000 he co-designed with a brass sustain plate (Moonflower, Europa), then switched to Paul Reed Smith customs in the early 1980s and never left. The PRS Santana II carried the 1999 Supernatural comeback; today he plays custom gold-leaf PRS Singlecuts onstage while the Core Santana Retro and SE Santana are the production signatures. After years of blending the old Mark I with Dumble Overdrive Reverbs, he recorded 2021’s Blessings and Miracles without Mesa — Dumble Overdrive Reverb and Bludotone Universal Tone — and the live wah is now a Real McCoy RMC10.
The breakthrough pieces they are most associated with.
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What they tour or record with now, or the newest signature line.
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