Estimated build cost: ~$14,445 (based on current listings)
Brian May, Queen’s guitarist since 1970, built his sound around the homemade Red Special — oak body, mahogany fireplace-mantel neck, 24-inch scale and three Burns Tri-Sonic pickups with individual on/off and phase switches — into a Dallas Rangemaster treble booster driving the Normal channel of cranked Vox AC30 combos loaded with Celestion Alnico Blues. Studio guitar orchestrations on Killer Queen and Procession also used John Deacon’s ~1.5-watt germanium Deacy Amp, while live delay-harmony parts such as Brighton Rock came from a pair of modified Maestro Echoplex EP-3 tape delays and a Foxx Foot Phaser on the plywood Queen pedalboard.
The 1980s stadium system Pete Cornish built swapped the Rangemaster for a silicon BC149 treble booster, replaced the Echoplexes with two MXR Digital Delay II units, added a modified Roland CE-1 chorus and stacked twelve AC30s in dry/delay/delay/chorus groups. Touring Queen + Adam Lambert today, May still plays the original 1963–64 Red Special (Greg Fryer ‘John’ and ‘George’ as backups) through a strap-mounted KAT treble booster into three AC30s in a wet/dry/wet wall of nine; chorus and the 800/1600 ms delays now live in a TC Electronic G-Major 2, wah is a Dunlop Cry Baby DCR-2SR, and the signature fans can buy is the BMG Super from Brian May Guitars.
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