Estimated build cost: ~$71,553 (based on current listings)
Adam Jones is Tool's guitarist and the source of the band's mid-forward, non-scooped guitar sound. From Undertow (1993) on, that identity is a 1979 Gibson Les Paul Custom in Silverburst — custom-wound Seymour Duncan DDJ in the bridge, reverse-mounted neck humbucker — usually in drop D with Ernie Ball 10-52 strings. He first recorded it through a 1976 Marshall Super Bass 100-watt head with the channels jumpered, then around Ænima became an early Diezel VH4 adopter, blending the German four-channel head with the Marshall for the dense grind on Tool's classic records.
The live rig has not jumped brands: two Diezel VH4 blueface heads into Mesa/Boogie 4x12s still sit next to the Marshall Super Bass into a Mesa 2x15 bass cabinet. A Mesa Dual Rectifier was the usual third amp from the mid-1990s through the 2000s; 10,000 Days studio sessions also blended Bogner Überschall and Rivera Knucklehead heads. On recent tours Jones still plays the original Silverburst plus a Gibson Custom Shop Reverse Antique Silverburst Flying V, while the current production signature fans can buy is the Gibson USA Adam Jones Les Paul Standard. What is hard to copy is that multi-amp blend plus an always-on MXR Micro Amp and DOD FX40B EQ into a Boss BF-2 flanger and DD-3 delay.
A real in-between era or endorsement — not what they use now.
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What they tour or record with now, or the newest signature line.
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