Adam Jones Rig

Estimated build cost: ~$71,553 (based on current listings)

Hard Rock Tool Adam Jones

Adam Jones is Tool's guitarist and the source of the band's mid-forward, non-scooped guitar sound. From Undertow (1993) on, that identity is a 1979 Gibson Les Paul Custom in Silverburst — custom-wound Seymour Duncan DDJ in the bridge, reverse-mounted neck humbucker — usually in drop D with Ernie Ball 10-52 strings. He first recorded it through a 1976 Marshall Super Bass 100-watt head with the channels jumpered, then around Ænima became an early Diezel VH4 adopter, blending the German four-channel head with the Marshall for the dense grind on Tool's classic records.

The live rig has not jumped brands: two Diezel VH4 blueface heads into Mesa/Boogie 4x12s still sit next to the Marshall Super Bass into a Mesa 2x15 bass cabinet. A Mesa Dual Rectifier was the usual third amp from the mid-1990s through the 2000s; 10,000 Days studio sessions also blended Bogner Überschall and Rivera Knucklehead heads. On recent tours Jones still plays the original Silverburst plus a Gibson Custom Shop Reverse Antique Silverburst Flying V, while the current production signature fans can buy is the Gibson USA Adam Jones Les Paul Standard. What is hard to copy is that multi-amp blend plus an always-on MXR Micro Amp and DOD FX40B EQ into a Boss BF-2 flanger and DD-3 delay.

~$71,553 Estimated total
15 Pieces of gear
Hard Rock Genre / style
Affiliate Disclosure
Adam Jones Rig
Photo by Nicholas Cowley from Dallas, Texas, USA, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons

Adam Jones guitars, amps and pedals

Guitar
Gibson Custom Shop Adam Jones Signature '79 Les Paul Custom V2 (Aged, Signed) 2021 - 2022 - Silverburst
Throughout 1990–present: Jones' #1 on every Tool album and tour. 1979 Silverburst Custom with a custom-wound Seymour Duncan DDJ in the bridge and a reverse-mounted neck humbucker; drop D with Ernie Ball 10-52s. This is the original guitar, not the later signature replica.
Amp
Marshall JMP 1992 MK II Super Bass 2-Channel 100-Watt Guitar / Bass Amp Head 1978 Black
Throughout 1993–present: 1976 Marshall JMP 1992 Super Bass 100W with the channels jumpered. The British midrange half of the live and studio blend, usually into a Mesa 2x15 bass cab. Core of Undertow and still on stage next to the Diezels.
Amp
Diezel VH4 4-Channel 100-Watt Guitar Amp Head 1994 - 2019 - White
Throughout 1994–present: early-adopter Diezel VH4 blueface, left on Channel 3 live. Two heads into Mesa 4x12s are the modern high-gain half of the Tool guitar sound from Ænima onward; still the core of the 2020s tour rig.
Cabinet
Mesa Boogie Dual Rectifier 4x12 oversized slainted cabinet 8 Ohm. 4 x Vintage 30 Around 2000 - Black
Throughout 1990s–present: Mesa Rectifier 4x12 cabinets (Celestion V30s) are what the Diezel VH4s hit live. The guitar-amp half of the blended stack.
Cabinet
USA Mesa Boogie 2x15 Powerhouse Bass Cabinet
Throughout 1990s–present: Mesa 2x15 bass cabinet under the Marshall Super Bass, used for guitar low end because Jones is Tool's only guitarist.
Pedal
MXR Micro Amp
Throughout 1990s–present: MXR M-133 Micro Amp is often left on for driven parts, clean-boosting the Les Paul into the multi-amp stack.
DOD FX40B Equalizer
Pedal
DOD FX40B Equalizer
DOD Equalizer FX40B 1995
Throughout 1990s–present: DOD FX40B seven-band bass EQ used on guitar, often always-on with the Micro Amp to add fullness and cut. A core reason the Tool guitar tone is mid-forward rather than scooped.
Pedal
Boss BF-2 Flanger Pedal (1991)
Throughout 1990s–present: Boss BF-2 Flanger on the swirling Stinkfist texture and the Jambi solo, among other parts. Documented on the Chris Leahey live board.
Pedal
Boss DD-3 Digital Delay 1986 - 1990 - White
Throughout 1990s–present: Boss DD-3 (DD-5 also seen) for atmospheric and rhythmic delay. A Line 6 DL4 has also appeared on the live board for delay/sampling, but the DD-3 is the long-running unit.
Pedal
Dunlop 535Q Cry Baby Multi-Wah 1994 - Present - Black
Throughout 1990s–present: Dunlop Cry Baby 535Q (BB-535) wah on the live pedalboard.
Pedal optional
Dunlop HT-1 Heil Talk Box 1998 - 2018 - Black
Throughout 2006–present: Dunlop Heil HT-1 Talk Box on Jambi from 10,000 Days, driven by a small Roland practice amp and often compressed with an MXR Dyna Comp. Still used live for that song.
Volume Pedal
Goodrich Sound L-120 LowBoy Low Profile Passive Volume Pedal 2010s - Black
Mid-career

A real in-between era or endorsement — not what they use now.

Amp
Mesa Boogie Dual Rectifier RectoVerb 25 Combo **COLLECTION ONLY** - 2nd Hand
Mid 1990s–2010s: Mesa Dual Rectifier was the common third amp in the live blend from the Ænima era through the 2000s. Later studio sessions (10,000 Days) also mixed in Bogner Überschall and Rivera Knucklehead heads; current tours center on two VH4s plus the Marshall.
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Current / most recent

What they tour or record with now, or the newest signature line.

Guitar
CASE QUEEN! Gibson Custom Shop Adam Jones Flying V Collector’s Edition Electric Guitar - Reverse Antique Silverburst Murphy Lab Aged
Current: Gibson Custom Shop Adam Jones Flying V in Reverse Antique Silverburst, used live from the Fear Inoculum tours onward (notably Invincible and Rosetta Stoned). Murphy Lab limited run with reverse-mounted Custombucker neck and Seymour Duncan DDJ bridge.
Guitar
Gibson Adam Jones Signature Les Paul Standard 2022 - Present - Antique Silverburst
Current: Gibson USA Adam Jones Les Paul Standard Antique Silverburst — the production signature fans can buy, with BurstBucker 1 neck and DC High-Gain bridge. Not the Custom Shop 1979 replica and not a substitute for listing the original Silverburst as his #1.
Estimated build total ~$71,553
Rig Overview
Estimated total ~$71,553
Pieces of gear 15
Genre / style Hard Rock
Mid-career 1 item
Current / most recent 2 items
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