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Listed on Reverb.com by ProAudioStar · Oct 20, 2026

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Focusrite ISA C8X USB-C Interface + Warm Audio Cables + Beyerdynamic Headphones

Focusrite · Brand New
$2,789.89
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Condition: Brand New
New in box, never played or used.

About This Listing

Product Description for Focusrite ISA C8X USB-C Audio Interface + Beyerdynamic Headphones

Package Includes :

1 x Focusrite ISA C8X USB-C Audio Interface

1 x Beyerdynamic DT 900 PRO X Studio Headphones

8 x Warm Audio Pro-XLR-25' XLR Cable

2 x Warm Audio Prem-TRS-10' TRS Cable

Focusrite ISA C8X USB-C Audio Interface

ISA C8X combines the trademark ISA sound with comprehensive remote control and all the analog and digital I/O, routing, and recallability you need to run your entire setup. The two Lundahl transformer–based ISA preamps feature all-analog Console and Air 430 modes for new tonal options plus switchable impedance, balanced inserts, and high-pass filtering — all controllable from the front panel and via the Focusrite Control 2 software.

Classic preamps, digital control

C8X’s two ISA preamps each feature Lundahl LL1538 input transformers that add subtle warmth and body to any signal, plus balanced inserts, stepped and fine gain control, switchable impedance, high-pass filter, and up to 79dB of gain — all digitally controlled via the Focusrite Control 2 app.

All-analog tone

Console mode introduces warm analog saturation and low-end punch, based on a soft-clip circuit with fully variable digital control. 430 Air, lifted directly from the ISA 430 MkII, adds high-end shimmer via an inductor-based high-shelf filter.

DI guitars, basses, and other instruments

Inspired by the ISA One’s well-regarded DI channel, the front-panel instrument inputs feature a selectable impedance for preserving the natural tone of guitar, bass, and other instruments. These also run through the ISA transformer circuitry, allowing you to apply both Console and 430 Air modes.

Six remote-controllable, ultra-low-noise mic preamps

Alongside the two ISA preamps are six remote-controllable, ultra-low-noise Focusrite mic preamps. Each one is designed to reliably capture every nuance with 69dB of clear, detailed gain and includes both analog Air processing for high-end clarity and variable Drive DSP for analog-style harmonic saturation.

Flagship AD/DA conversion

Whichever inputs you choose, you’ll be recording and mixing with the same 24-bit/192kHz AD/DA converters used in Focusrite’s RedNet range, offering 125dB of dynamic range and ultra-low distortion at 0.00022% THD. And C8X’s two headphone outputs each offer independent level control, extra headroom, and optimised impedance for powerful, detailed playback.

Run your entire studio

Designed for patch-bay setups and permanent installations, ISA C8X provides fixed line inputs that let you connect your outboard gear once and avoid awkward re-patching. For immersive formats, the 12 balanced line outputs enable everything from mono up to 7.1.4, with support for up to three monitor groups and switching via both the front panel and Focusrite Control 2. And the entire system is expandable, thanks to 16 additional channels over ADAT and 2 via S/PDIF for digital gear, plus MIDI and Word Clock I/O.

Remote-control recording

Focusrite Control 2 is designed for both desktop and mobile devices, making it easy to manage gain levels, route audio, save and recall preset mixes, and monitor with low latency — wherever you install ISA C8X in your studio. It also supports control of multiple connected interfaces simultaneously, so when expanding your setup via ADAT with other Focusrite Control 2-ready devices, you can switch between them and control each one directly from the app.

Beyerdynamic DT 900 PRO X Studio Headphones

Your Studio Headphones DT 900 PRO X

Trusted sound meets performance and flexibility

In launching the open-back DT 900 PRO X, we are unveiling circumaural studio headphones, which are set to usher in a era for the long-established, Heilbronn-based company. While our classics of the PRO series are regarded as reference products in professional studios all over the world, the PRO line is suitable for flexible use both in the studio and while on the move. It is all made possible by the STELLAR.45 driver that loudly reproduces the best sound in studio quality without any distortion – with all playback devices.

Professional Audio Quality

Trusted studio sound meets high performance

The STELLAR.45 sound transducer, developed and produced in Heilbronn, Germany, delivers that proven beyerdynamic sound at previously unattained levels of studio- headphones-class performance. This is down to the neodymium ring magnet as well as copper-clad high-tech wire. The trade-off between electrical conductivity and the weight of the wire is unique. In combination with the three-layer speaker diaphragm featuring integrated damping layer, this has created a highly efficient driver system that performs superbly on all playback devices.

The innovative membrane structure controls the axial motion of the voice coil and ensures that it remains securely positioned in the magnet gap even during high oscillations. Another benefit is vast and natural frequency response. The fast response of the transducer and the detailed transient response, produced by the low coil weight, create a sound that is always reliable and distortion free even at high sound pressure levels.

Superb Wearing Comfort

Tailored fit for extra-long sessions

The PRO X line also embodies what our professional headphones have always been synonymous with: maximum wearing comfort. The robust spring steel headband design assures the over-ear headphones provide a secure fit and ensures durability. The supple velour ear pads are soft to the touch, as you would expect, and guarantee superior ventilation. The headband ergonomically adapts to the shape of the wearer's head with the aid of soft memory foam and, like the ear pads, can be replaced if required.

Design & Materials

Built to last, featuring a sleek, robust design

Black, minimalist and reduced to the essentials. In a word: PRO. As far as the design of and materials used in the PRO X line are concerned, attention was paid to the resilience of all components: metal headband, GRP components, a robust mini-XLR connector and hard-wearing cable. This means you are geared up on a daily basis for any professional application.

Sustainability

Sustainable headphones – made in Germany

The PRO X line headphones have been designed for daily use in challenging conditions. This is why they are handmade in Germany using premium quality materials. If required, nearly all the headphones’ components can be replaced, turning these headphones into an investment that makes sense for every creator.

Warm Audio Pro-XLR-25' XLR Cable

Premium Audio Cables By Warm Audio

When we decided to create superior audio cables, we knew that we needed to find a partner just as meticulous as us when sourcing the highest quality components available. With that mission in mind, we partnered with Switzerland-based Gotham AG - Europe’s top producer of premium cable, known as “The Neumann Cable” for decades. The construction and components, in partnership with Gotham AG, allow Warm Audio to offer cables with absolutely stellar audio performance, near-perfect signal transfer, and ultimate reliability.

We couldn’t be happier to partner with Gotham AG on these beyond-professional cables, and we’re sure that when you use them you’ll get the full signal you’ve been missing with no added interference.

Premier Vs. Pro

Warm makes two lines of cable - Premier and Professional - in order to offer a wide variety of connection types in two different price ranges. While both product lines take advantage of Gotham AG’s state-of-the-art construction to deliver near-perfect signal transfer and both offer a lifetime warranty, the Premier line adds above-and-beyond features like gold-plated connectors, four-conductor Starquad construction for powerful rejection of EMI, and Double-Reussen shielding for increased rejection of RFI.

There simply is no better-sounding or more reliable cable on the planet, and Warm cables don’t come with a gold-plated price tag - these are wires that everyone can afford! Compared to other high-end cables offering lifetime warranties, Warm Audio cables cost 25-35% less on average.

Pure Signal, No Additives

Warm Audio cables do not add gain, color, effects, or try to add anything “extra” to your signal. The purists here at Warm believe that premium cables should “Do no harm”, transferring interference-free signal from connection to connection.

Warm Audio Prem-TRS-10' TRS Cable

Premium Audio Cables By Warm Audio

When we decided to create superior audio cables, we knew that we needed to find a partner just as meticulous as us when sourcing the highest quality components available. With that mission in mind, we partnered with Switzerland-based Gotham AG - Europe’s top producer of premium cable, known as “The Neumann Cable” for decades. The construction and components, in partnership with Gotham AG, allow Warm Audio to offer cables with absolutely stellar audio performance, near-perfect signal transfer, and ultimate reliability.

We couldn’t be happier to partner with Gotham AG on these beyond-professional cables, and we’re sure that when you use them you’ll get the full signal you’ve been missing with no added interference.

Premier Vs. Pro

Warm makes two lines of cable - Premier and Professional - in order to offer a wide variety of connection types in two different price ranges. While both product lines take advantage of Gotham AG’s state-of-the-art construction to deliver near-perfect signal transfer and both offer a lifetime warranty, the Premier line adds above-and-beyond features like gold-plated connectors, four-conductor Starquad construction for powerful rejection of EMI, and Double-Reussen shielding for increased rejection of RFI.

There simply is no better-sounding or more reliable cable on the planet, and Warm cables don’t come with a gold-plated price tag - these are wires that everyone can afford! Compared to other high-end cables offering lifetime warranties, Warm Audio cables cost 25-35% less on average.

Pure Signal, No Additives

Warm Audio cables do not add gain, color, effects, or try to add anything “extra” to your signal. The purists here at Warm believe that premium cables should “Do no harm”, transferring interference-free signal from connection to connection.

Features

Focusrite ISA C8X USB-C Audio Interface

2U rack-mounted, 26x28 USB audio interface

  • Capture, route, and mix sessions of any size with 26 inputs and 28 outputs of analog and digital audio.

Two remote-controllable ISA preamps

  • Featuring Lundahl LL1538 input transformers that add subtle warmth and body to any signal, plus balanced inserts, stepped and fine gain control, switchable impedance, high-pass filter, and up to 79dB of gain.

Analog tone at the touch of a button

  • The two ISA preamps include relay-switchable circuitry, enabling variable saturation via Console mode and high-end lift with 430 Air mode.

Six remote-controllable, ultra-low-noise mic preamps

  • Alongside the two ISA preamps are six remote-controllable, ultra-low-noise Focusrite mic preamps designed to reliably capture every nuance with 69dB of clear, detailed gain plus analog Air mode and variable Drive DSP.

Two front-panel, transformer-based instrument inputs

  • Both are routed through the Lundahl transformers for console-like feel and feature selectable impedance to enhance the natural tone of guitar, bass, and other instruments. Console and 430 Air modes are also available here for added analog character.

Eight dedicated fixed-gain balanced line inputs

  • Designed for patch-bay setups and permanent installations, ISA C8X provides fixed line inputs that let you connect your outboard gear and avoid re-patching.

Automatically set your levels

  • Enable Auto Gain and let ISA C8X set gain automatically across all eight preamps in seconds, directly from the front panel or via Focusrite Control 2 desktop and mobile apps.

Flagship AD/DA conversion

  • Record and mix with the same 24-bit/192kHz AD/DA converters used in Focusrite’s RedNet range, offering 125dB of dynamic range with 0.00022% THD.

12 balanced line outputs

  • Work in mono, stereo, or up to 7.1.4, with three monitor groups and front-panel or remote switching. A professional +24dBu maximum output level matches the line inputs for consistent line-up levels, with 125dB of A-weighted dynamic range; outputs 1 and 2 are available on both XLR and TRS.

Two dedicated class AB headphone outputs

  • Each with independent level control, extra headroom, and optimised impedance for powerful, detailed playback.

ADAT, S/PDIF, MIDI, and Word Clock

  • Expand your setup with 16 additional channels over ADAT and two channels via SPDIF for up to 26 channels of recording, plus S/PDIF, MIDI, and Word Clock connectivity.

Focusrite Control 2 software and mobile app

  • When front-panel control isn’t practical, Focusrite Control 2 makes it easy to remotely manage, save, and recall your mixes and routing, as well as monitor with low-latency across multiple connected interfaces.

Included Software

Sonnox Oxford Reverb

  • Craft the perfect reverb for any track with Oxford Reverb — a highly flexible, algorithmic reverb plugin that allows you to precisely dial in your desired space.

Hitmaker Expansion

  • The Focusrite Hitmaker Expansion bundle is a collection of professional music production plugins and software, designed to cover every stage of the process - from writing and recording to mixing, mastering, and releasing tracks. It brings together instruments, effects, and studio tools from leading software brands (like synths, drums, vocals processing, and mastering services) so you can create release-ready music with “big studio” sound right out of the box.
  • All other product names and brands cited herein are property of their respective owners. All company, product and service names used on this page are for identification purposes only. Use of these names, logos, and brands does not imply endorsement.

What’s In the Box

  • ISA C8X audio interface
  • USB type C-to-C cable
  • Region-specific IEC cable
  • Rubber feet (x4)

Hardware Overview

  • Microphone Preamps : 8
  • Phantom Power : Yes (Independent per-channel)
  • Line Inputs : 8
  • Instrument Inputs : 2
  • Insert Sends : 2
  • Insert Returns : 2
  • Line Outputs : 12
  • Headphone Outputs 2
  • Line Outputs : 10
  • Headphone Outputs : 2
  • ADAT Inputs : 2 (16 channels at 44.1/48kHz and up to 8 channels at 96kHz)
  • ADAT Outputs : 2 (16 channels at 44.1/48kHz and up to 8 channels at 96kHz)
  • SPDIF Input : 1 (2 channels at 96kHz)
  • SPDIF Output : 1 (2 channels at 96kHz)
  • MIDI Input : 1
  • MIDI Output : 1
  • Word Clock Input : 1
  • Word Clock Output : 1
  • Talkback : Yes
  • Loopback : Yes
  • Connectivity : USB Type-C
  • Protocol : USB 2.0
  • Form Factor : Rack Mountable (2U)
  • Simultaneous I/O : 26x28 (including Loopback)
  • A/D Resolution : 24-bit/192 kHz
  • Maximum Power Draw : 40W
  • Bus Powered : N

ISA Microphone Inputs (Channels 1-2)

  • Frequency Response : 20Hz-20kHz (±0.4dB)
  • Dynamic Range (A-weighted) : 117dB
  • THD+N (minimum at minimum gain ): -93dB (0.0023%)
  • Noise EIN (A-Weighted) : -128dB
  • Maximum Input Level (minimum gain, Low impedance) : +16dBu
  • Gain Range : 79dB
  • Input Impedance (switchable) : 800Ω (Low), 1400Ω (ISA 110), 2400Ω (Med), 7000Ω (High)
  • High Pass Filter (HPF) : 75Hz cut-off frequency, 18dB/Octave

Microphone Inputs (Channels 3-8)

  • Frequency Response : 20Hz-20kHz (±0.1dB)
  • Dynamic Range (A-weighted) : 116dB
  • THD+N (minimum at 8dB Gain) : -100dB (0.001%)
  • Noise EIN (A-Weighted) : -127dB
  • Maximum Input Level (minimum gain) : +16dBu
  • Gain Range : 69dB
  • Input Impedance : 3200Ω

Fixed-level Line Inputs (Channels 1-8)

  • Frequency Response : 20Hz-20kHz (±0.05dB)
  • Dynamic Range (A-weighted) : 120dB
  • THD+N (minimum) : < -105dB (0.00056%)
  • Maximum Input Level : +24dBu

Instrument Inputs (Channels 1-2)

  • Frequency Response : 20Hz-20kHz (±0.5dB)
  • Dynamic Range (A-weighted) : 117dB
  • THD+N (minimum) : -89dB (0.0036%)
  • Maximum Input Level (at minimum gain) : +14dBu
  • Gain Range : 79dB
  • Input Impedance (switchable) : 400kΩ (Low), 1.2MΩ (High)

Inserts (Channels 1-2)

  • Connection : Balanced
  • Maximum Output Level (send) : +16dBu
  • Maximum Input Level (return) : +16dBu

Line Outputs

  • Frequency Response : 20Hz-20kHz (±0.02dB)
  • Dynamic Range (A-weighted) : 125dB
  • THD+N (minimum) : -113dB (0.00023%)
  • Maximum Output Level : +24dBu

Headphone Outputs

  • Frequency Response : 20Hz-20kHz (±0.1dB)
  • Dynamic Range : 114dB @ 33Ω, 116dB @ 300Ω, 116dB @ 600Ω
  • THD+N : -102dB @ 33Ω, -110dB @ 300Ω, -110dB @ 600Ω
  • Max Output Level : +8dBu @ 33Ω, +11dBu @ 300Ω, +11dBu @ 600Ω
  • Max Output Power : 130mW @ 33Ω, 28mW @ 300Ω, 14mW @ 600Ω
  • Output Impedance : 3Ω

Compatability

  • Windows : Intel, AMD, and Arm64 processors supported
  • MacOS : Apple Silicon and Intel processors supported
  • Linux : ISA C8X is UAC2 class compliant and should work on most Linux systems but this is not tested or supported

Beyerdynamic DT 900 PRO X Studio Headphones

  • Detailed, spacious and transparent sound
  • Wide range of applications on all devices thanks to STELLAR.45 driver with an impedance of 48 ohms
  • Superb wearing comfort
  • Hard-wearing, durable and robust workmanship
  • Sustainable headphones – made in Germany
  • Wearing Style : Over-ear
  • Operating Principle : Open
  • Transmission Type : Wired
  • Earpad material : Velours
  • Remote : Without Remote
  • Nominal Impedance Headphones : 48 ohms
  • Weight headphones without cable : 345 g
  • Headphone frequency response : 5 - 40,000 Hz
  • Nominal sound pressure level : 100 dB SPL (1mW/500Hz)
  • Headphone Lab : ✓
  • Sound coupling to the ear : Circumaural (around the ear)
  • Cable & Plug : 3 m or 1.8 m straight cable, detachable, with 3-pin mini XLR & stereo jack (3.5 mm & 6.35 adapter)

What's in the box

  • DT 900 PRO X
  • 8 M (5.9 ft) & 3.0 M (9.8 ft) MINI-XLR-CABLE (MINI STEREO JACK 3.5 MM)
  • 1/4" ADAPTER (6.35 MM)
  • Drawstring Bag

Warm Audio Pro-XLR-25' XLR Cable

StarQuad Construction

A traditional balanced cable uses three cores of wire to carry the audio signals: one shielded core for the hot/positive leg, one shielded core for the cold/negative leg (which is wired in reverse polarity to the positive leg), and a plain outer wrap that functions as the ground. A balanced audio system effectively rejects most induced noise encountered along the cable’s length by removing signals that are common to both the hot and cold legs.

StarQuad construction takes that concept even further, by using four cores instead of two: two cores each for the hot/positive and cold/negative legs and a single ground. This helps to further shield the audio from RFI (radio frequency interference) even more than a traditional 3-conductor cable.

Double-Reussen Shielding

Most cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from interference.

Double-Reussen shielding goes much further than more traditional techniques in two ways: First, the cable is wrapped with not one but TWO separate shields, and second, the outer shield is wrapped in a contrary direction to the inner shield. This creates a stronger and more complete shield from RFI for the internal cores, and can result in an astounding reduction of interference. Double-Reussen shielding is a tad more expensive to manufacture, but for those who will accept nothing but the best it represents the pinnacle of current balanced cable technology.

Warm Audio Prem-TRS-10' TRS Cable

StarQuad Construction

A traditional balanced cable uses three cores of wire to carry the audio signals: one shielded core for the hot/positive leg, one shielded core for the cold/negative leg (which is wired in reverse polarity to the positive leg), and a plain outer wrap that functions as the ground. A balanced audio system effectively rejects most induced noise encountered along the cable’s length by removing signals that are common to both the hot and cold legs.

StarQuad construction takes that concept even further, by using four cores instead of two: two cores each for the hot/positive and cold/negative legs and a single ground. This helps to further shield the audio from RFI (radio frequency interference) even more than a traditional 3-conductor cable.

Double-Reussen Shielding

Most cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from interference.

Double-Reussen shielding goes much further than more traditional techniques in two ways: First, the cable is wrapped with not one but TWO separate shields, and second, the outer shield is wrapped in a contrary direction to the inner shield. This creates a stronger and more complete shield from RFI for the internal cores, and can result in an astounding reduction of interference. Double-Reussen shielding is a tad more expensive to manufacture, but for those who will accept nothing but the best it represents the pinnacle of current balanced cable technology.

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