Condition: Brand New New in box, never played or used.
π About This Listing
Our Business Hours is Mon to Fri / 11:00 to 18:00 JPN time We will close Sat and Sun, so we will reply to inquiry that received weekend on next week. Your understanding will be appreciated.
We are receiving the customer order with first comes first serves basis both on website and at real shop. So occasionally it will be sold out while having email communication. Please understand in advance.
Japanese consumption tax is not required for international shopping. However you may be required to pay duty, tax and import fee when receiving your items in your country. You must pay all these duty, tax and fee as receiver/importer and we do not cover any of them.
β Please note The product description is an automatic translation of the Japanese description. Please contact us if you have any questions.
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COYOTE does not belong to the existing clone lineage; it is a next-generation fuzz pedal based on lost circuitry.
Unlike typical octave fuzz pedals (OCTAVIA, SUPER FUZZ, TONE MACHINE), this pedal is a completely analog design that recreates a rare circuit. Despite its simple two-knob design, it packs in an astonishingly wide range of expressive capabilities.
It was designed as an homage to the legendary "Moonrock Fuzz" by North Carolina's legendary pedal builder, GS Wyllie. Until now, no clone models existed, and the octave fuzz circuit, which had never been reproduced in mass production, has finally been revived.
A single knob seamlessly switches between three modes: SWELL, FUZZ, and OCTAVE, each producing a distinct sound character. Furthermore, the guitar's response to volume adjustments is extremely sensitive, allowing for expressive playing based on touch.
A light strum produces a warm, controlled fuzz, while a stronger strum creates a dynamic sound with a swell. Furthermore, it's characterized by producing a cleaner tone compared to conventional octave fuzz pedals.
SWELL's attack rises slowly, like a breath of life. The gradual activation of the final stage of the circuit ensures a smooth signal flow, creating a natural expansion that responds to the dynamics of your picking.
FUZZ offers a more psychedelic and distinctive distortion, different from both BIG MUFF and FUZZ FACE. OCTAVE features an octave sound reminiscent of the iconic Jimi Hendrix.
This pedal has a character that sets it apart from conventional, standard fuzz pedals, making it ideal for those who find standard pedals unsatisfying, those seeking a unique fuzz sound, and vintage-oriented players.
This is also an homage from JHS PEDALS to GS WYLLIE and the innovative pedal circuits he left behind.
[How to get the classic octave fuzz sound]
Place COYOTE at the beginning of your effects chain.
Furthermore, by combining it with other overdrives or a distorted amplifier, you can recreate classic octave fuzz sounds. Using the front pickup and playing above the 12th fret will produce a more pronounced octave effect.
Additionally, humbuckers more powerfully emphasize swell and octave effects, while single-coil pickups deliver a clearer tone.
γCONTROLSγ
- VOLUME: Controls the overall volume of the COYOTE.
- SWEL: Creates a swell effect with a reverse-like attack, resulting in a smooth, expanding sound. It responds to the strength of your picking, creating a natural dynamic rise.
- FUZZ: A character distinct from the BIG MUFF and FUZZ FACE. It boasts rich lows and powerful mids, delivering a powerful fuzz sound suitable for chord playing. It's reminiscent of shoegaze and psychedelic rock.
- OCTAVE: Turning it clockwise intentionally makes the clipping uneven, changing the harmonic balance. Even-order harmonics (second-order harmonics) are particularly emphasized, adding a strong octave-up effect to single notes.
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